What’s so great about being scared that we’ll actually pay other people to scare us, that we’ll build a holiday around it?
A place to find Stephen Monteith's fiction, podcast, and other works
What’s so great about being scared that we’ll actually pay other people to scare us, that we’ll build a holiday around it?
Is there any more appropriate setting for a scary story than a creepy old house, with hidden passages, secret rooms, and maybe a ghost or two?
Horror and animation both have long histories in film, and both face their own challenges in embracing that history while still innovating for future movies.